Concert
FINAL CONCERT XXXVII Premio Jóvenes Compositores Fundación SGAE-CNDM
MADRID · Auditorio 400 / Museo Nacional de Arte Reina Sofía · 19:30 h
Teclas históricas
Silvia Márquez Chulilla
Teclas históricasEarly musicContemporary musicHarpsichordOrganFortepiano
VIDEOS
R. Sierra: Montuno en forma de chacona | Video clip Unboxing XVII made by J. Clares
F. Poulenc: Concert Champêtre | Orquesta Sinfónica de la Región de Murcia
P. Bruna: Tiento de mano derecha y al medio a dos tiples | Organ of the Colegial de Daroca (Zaragoza)
A. Vivaldi: «La Notte» RV 439 | Matthijs Koene (pan flute) and Silvia Márquez (organ)
H. Purcell: «A new Ground» ZT. 682
«Of an elegance and expressive generosity that deserve to be highlighted. Her musical vision is an open landscape through which she walks with assurance and nobility to discover beauty, whether in the music of Antonio de Cabezón, György Ligeti or Roberto Sierra.»
«Silvia Márquez is an excellent artist with notable fingering, pedal-play, brilliant technique, as well as a great fantasy of concept of registration for her perfomances. She exploited all colours and dynamic shades of the organ at Kremnica.»
News
News
· Concert · News
THE FUNDACIÓN BBVA PRESENTS ITS 2026/2027 MUSIC SEASON
Silvia Márquez will take part on 12 February 2027 with a recital entitled "En modo de chacona"
· Music curation · Concert · News
LA TEMPESTAD AT 'MURCIA MÚSICAS HISTÓRICAS', SECOND EDITION
La Tempestad recovers music by José Lidón on the eve of the 200th anniversary of his death, with three premieres in modern times.
· Jury | Competitions · Press | Media · News
FIRST NATIONAL EARLY MUSIC COMPETITION "FIRA BORJA"
Silvia Márquez is a member of the jury at the first edition of this pioneering competition, held in Xátiva and devoted to child and young performers of early music instruments.
PRESS AND REVIEWS
«Through delightful, mature playing, this selection of pieces is highly representative of a genre that, like today's jazz standards, travelled from city to city and permeated every musical milieu. Indeed, this ‘chaconnerie’ is, by definition, obstinate, insistent and energetic, and a showcase of vibrant creativity in a musical period closer to our own than we might think.»
Pablo F. Cantalapiedra, Melómano «We only have beautiful words. Of an elegance and expressive generosity that deserve to be highlighted. Her musical vision is an open landscape through which she walks with assurance and nobility to discover beauty, whether in the music of Antonio de Cabezón, György Ligeti or Roberto Sierra.»
Marçal Borotau, Sonograma Magazine «Silvia Márquez is an excellent artist with notable fingering, pedal-play, brilliant technique, as well as a great fantasy of concept of registration for her perfomances. She exploited all colours and dynamic shades of the organ at Kremnica.»
Stanislav Kowalski, European Organ Festival Kremnica «With a well-established technique and secure mechanism, and with her balanced and clear interpretations, Silvia Márquez has kept interest in this series high.»
Enrique Bonmatí, La Opinión «Clear and precise articulation, virtuosic finger technique and a musical discourse of remarkable fluency and brio: Silvia Márquez gave a concert of notable musical quality, captivating the attention and applause of the audience.»
Tiago Dias, Açoriano Oriental «Márquez presents a repertoire that invites us to enter an evocative sound world of the second half of the twentieth century, and to rediscover an instrument that has much to say, above all in the hands of Silvia, a performer with overwhelming technical mastery and an exquisite richness of nuance. Her talent is spectacular.»
Editor's Recommendation September 2019, El Compositor Habla
«It is this world, that of harpsichord music written in the second half of the twentieth century, that Silvia explores in an album that never ceases to amaze, both for the discoveries it offers and for a dazzling sound, in terms of performance as well as sound recording.»
